Tuesday, 9 September 2014

Jo-an-Ray

About 10 years ago I decided to undertake the ambitious project of cross stitching a picture of my parent's house (my family home) for their 50th wedding anniversary.  Apart from the fact they had lived all their married life in this house and that it had undergone two major renovations, this robust house had also survived two catastrophic floods - the 1974 flood where the waters totally inundated it and the 2011 flood where it peaked at just under the roof.  I also wanted a sentimental keepsake for my parents as I knew that eventually they would 'move on' to retirement accommodation and this would provide memories for them.



The cross stitch program I have enables me to import a photo which will automatically convert it into a chart and then tweak the colour if needed.  I should add here that this was the third cross stitch house project undertaken (the others will be the subject of future posts) so I felt confident enough with the task of emphasising the shading and lighting required to create a realistic interpretation of the 'real thing'.  There were many computer hours spent on perfecting the 34 colours used, but many, many, many more in the stitching process which comprised of a total of 64,518 stitches and 362 stitching hours (yep I kept track!!). Framing completed the work beautifully and it hung proudly in their lounge room and was one of the very first items to be whisked out of the house with the threat of another flood in 2011. 


After the flood my parents did indeed 'move on' to retirement village accommodation and hung their family home portrait proudly in their lounge room.  But the fate of the actual house is an interesting story with it first being sold to an investor for rental purposes and then later sold to a developer where it was duly demolished to make way for construction of a newer and modern house.  We had heard from old neighbours and friends still living in the area that construction of the new building was well underway so the other week my Mum and I went to visit the site and inspect the progress and simply could not believe our eyes.


With the scaffolding it's a little difficult to get a true appreciation of the size, but let me tell you that this massive construction is actually two (2) three-level houses and with a pool in each backyard, there will be hardly any grass.  The neighbours have been practically built out with very little light or air flow or privacy.  I will post an update when the houses are complete.  

It really is hard for me to comprehend that 60 odd years ago a simple, small 2 bedroom hardboard house sat in the middle of this large quarter acre block and now all these years later 2 massive houses occupy it.  To think that I used to ride my bike around the house and then later when I had my drivers license and bought my first car that I could park it at the side of the house (of course Dad's car got the covered garage).

Jo-an-Ray was a 'play' on my parent's names of Joan and Ray and a very good family friend made a plaque with this name on it for them when they were first married and it was attached to the front of their house all the years they lived there.  When they sold the house, we made sure the plaque went with them.  It has been cleaned up and now sits proudly on the brick wall at the entrance to the new home and my cross stitch of the family home is proudly displayed in its new place on the lounge room wall.  It is indeed a beautiful family heirloom.

Ros

"We must always change, renew, rejuvenate ourselves, otherwise we harden" - Goethe




Monday, 11 August 2014

A Crazy Weekend

Crazy Quilting that is!!  A couple of weeks ago a few of us ladies from the Guild group decided to treat ourselves to a 3-day stitching weekend not only to 'get away' for a break but to take advantage of learning the skill of crazy quilting which one of our very clever stitchers is quite adept at.  We went armed with all our requirements of fabrics, beads, buttons, threads, laces, braiding, sequins, etc. really quite unsure of what was entailed even though we had studied our friend's work of art, but came away at the end of the weekend totally 'hooked' and inspired by what everyone else had accomplished.

On Friday night (after dinner of pizza of course) we set about machine stitching together shapes of fabric which would become our background.  


The idea is to choose a patterned fabric with at least a couple of different colours and then choose 2 or 3 colours from that and then match fabrics in a couple of different shades from those colours.  You can see by my piece that I chose pink, blue and white to work with.  Varied shapes are then cut and added to make an interesting and balanced patchwork.  You can also see that on my piece I added a strip of lace with a partial open weave for dimension showing the coloured fabric underneath. What really looks great is using different fabric textures or a single 'special' fabric to highlight and draw the eye's attention.  As this was my first practice piece I only used fabric from my stash so there was nothing really special about the fabric.  We had pre-determined the finished size and when we reached that point, machine stitched two rows of straight stitch around the edge and after trimming to size zigzagged the edges to avoid fraying.  I should add that this had all been stitched on a square of calico large enough to be placed in an embroidery hoop ready for the next exciting stage.



Now the next part is where imagination and creativity comes into play because by using all embellishments at your disposal you cover the seams however you wish.  Different threads were experimented with and stitching techniques used in association with beads and braids to give - what I think - a beautiful finish.   Let me say right now though that my crazy quilting piece is nowhere near finished as there is still a lot of work to do and it is quite time-consuming but seriously addictive.  It was so inspiring to see what ideas and techniques the other ladies had used and which could possibly be applied to our pieces of work.  The great thing about this was that everyone's work was so different and unique and I found the style and colours everyone chose to use really did reflect their individual personality.

The one thing that our friend/tutor kept telling us when we would become unsure on our next step was that with crazy quilting 'the rule is that there are no rules'.  Now that's what I call freedom.

Ros

'The roots of education are bitter, but the fruit is sweet' - Aristotle




Saturday, 19 July 2014

Early Signs

I'll admit it - I'm a bit old-fashioned when it comes to protecting the furniture in my house as I prefer to use doilies so that vases and ornaments don't scratch the wood or laminate top.  We were having an overnight visitor the other night and so, in order to make a 'good impression', dusted the furniture (long overdue I might add!!) and chose new doilies from my collection.  As always I came across a couple of models I stitched when I was only very young and still learning the correct techniques from my mother and grandmother.  Usually I just overlook them, but this time I carefully examined them with a much more appreciative 'eye' and realised how craft and working with needle and thread has been in my DNA from a very early age.


The mauve and pink doily on the left contains only lazy daisy stitch and was worked in double-strand variegated thread while the teddy bear doily consisted of straight, lazy daisy and satin stitches.


This dog design formed the end of a runner - duplicated at the other end - and consisted of lazy daisy, satin, stem and backstitch.  It has been stitched in single thread and washing and wear and tear appears to have taken its toll with some of the threads coming loose, but a look at the back of the work .... well, let's just say, I still had a lot to learn about carrying the thread and finishing off neatly.


I can tell that this yellow floral doily was a slightly later work as the neatness (both front and back) is considerably improved with smaller stitching technique and skill.  Once again this doily only contains satin, stem, straight and back stitch.  

I might add that I crocheted the edging for each and every one of these doilies also - yet another indication that crafting for me was definitely a keen interest.

As basic and simple as these stitchings are and considering I would only have been around 10 years of age when they were worked, it gives me a great deal of pride to display them.  

Ros

"With courage you can stay with something long enough to succeed at it." - Earl Nightingale

Saturday, 28 June 2014

Design Release - Strawflower

Today I am excited to release a design which I have been working on over the past couple of weeks - the Strawflower.  I am also just as proud to mention that this design was inspired by beautiful strawflowers that I have growing in my garden at the moment with the photos below being proof.







Blooming in differing shades of both pale and bright colours they certainly make a striking display in the garden.  What has amazed me though is that, although they flower best in the hot summer months, these beauties have thrived during our winter and in a position that hasn't been receiving much sunlight. 

Strawflowers are found Australia wide growing in many different habitats from rainforests to deserts to subalpine areas and provide a food source for butterflies, bees and insects.  They are a herbaceous shrub growing to a height of up to 80cm high and have lovely leafy green foliage.  But what makes these little beauties so special is the different texture of their petals (or bracts) which are stiff, papery and dry making them a perfect long lasting flower.  Touching them actually does feel like very light cardboard yet they are quite strong and it is because of this texture that they are ideal as dried flowers and for use in the cut flower industry.



Replicating the sharp edges of the strawflower was a challenge when designing this flower and my aim, as always, is to be as authentic as possible so some stitchers may find the design a little intricate.  This is probably the only wildflower design where the availability of different colours for a flower have been included in the one design and therefore a total of 13 colours have been used.  

But with such an array of colours to choose from to portray the Strawflower, it was just too difficult for me to decide on just one.  Or......maybe.....it was just an excuse for the artist in me to experiment with colours and my stash!!!

Ros

'Flowers are those little colourful beacons of the sun from which we get sunshine when dark, sombre skies blanket our thoughts' - Dodinsky




Sunday, 15 June 2014

A New Look

Just like any makeover - be it wardrobe, hair and styling or a home and landscaping project - it can be exciting but just a little daunting, overwhelming and yes ... apprehensive too, which of course can put the whole idea into the 'too hard basket'.  Such has been the case for me at Gumleaf Stitch Designs.  For a while now I have been wanting to update the website, but with matters on the 'home front' being rather intense and time consuming, tackling such a project just took a back seat.  

But the time now felt right to tackle this makeover head on and so I have been fortunate to find a great web designer and between the two of us, have collaborated ideas and created - what I believe - to be a website with a fresh and modern look.  A new design layout displays each cross-stitch design to its full advantage as well as a slide show on the Home page.  The Order Information page has been updated to include shipping details, a returns/refunds policy and revised postage and handling costs.  Money orders or cheques are no longer accepted with payment to be made securely with Paypal or for Australian customers the option of a direct deposit, all details of which are outlined on the Order Information page.  A Frequently Asked Questions (FAQ) page and Your Privacy page has also been added as well as a special form on the Contact Me page which can be filled out and forwarded should there be any questions requiring clarification.  There is a Check-out Page whereby you can preview all purchases made.  

As with all major changes, there will always be a few tweaks and fine-tuning to be made as time goes on when you discover that something has been overlooked and, yes, at the moment, that is the case.  But at this point in time I feel quite confident to reveal Gumleaf's new look.  Of course, the main change is a beautiful new logo - a creative twist courtesy of my clever web designer. 


I invite everyone to check out the new look website and because your feedback (both positive and negative) is valued, it would be very much appreciated if you could contact me should any problem be encountered so it can be rectified promptly.  

I am going to end this post with what I believe to be a very apt quote.  

Ros

'It always seems impossible until it's done' - Nelson Mandela


Sunday, 27 April 2014

Ladybird Fever

As well as my stitching and family commitments I am also a volunteer with the Pyjama Foundation - an organisation which recruits and trains volunteers to work with children in the foster care system for an hourly session on a weekly basis.  The aim is to not only assist with their reading and academic work but to mentor and build a trusting and friendly relationship as another adult in their fragile little lives.  As you can appreciate all Readers (or 'Pyjama Angels' as we are called) undergo a stringent interview process and criminal check as well as intensive training before being matched with a suitable child.  

The little girl I have been working with now for three years - let's call her 'J' for confidentiality and privacy reasons - came into her current foster home when 18 months old after placement with four other primary carers since birth.  So it is of no surprise that she had physcological, bonding and control issues when I first began working with her at the tender age of two and there were certainly times when it would have been easy to walk away when she became quite demanding in some of the sessions.  But I saw potential in 'J' and decided to go back to basics with her by doing fun things such as blowing bubbles and walking around the garden smelling and touching flowers and herbs that her foster Mum grew.  Fast forward three years and the transformation in 'J' in amazing which I can only attribute to stability and security in her home life, an awesome foster Mum and self-satisfaction in her own achievements.  She has even visited our home on a few occasions to help bake muffins, scones or decorate cupcakes and plant seedlings in the garden and the connection that has developed with my family is heartening.

A couple of weeks ago 'J' celebrated her 5th birthday and one of her favourite things - for some reason - is ladybirds and this extends to pyjamas, doona cover, cushions, bedroom wall frieze, moneybox and other little trinkets in her bedroom.   So, as well as a little gift, I cross stitched a ladybird card for her and added 5 handmade bows which was a simple little project and took no time at all to make.  The design was taken from a book which will form the subject of a future post as it has some fantastic ideas for young and/or beginner stitchers.


Clear double-sided tape was used to mount the design and bows on to folded A5 red cardstock and a white paper insert inside the card made it easy to write and read the birthday message.  'J' and her foster Mum thought the card was beautiful and it went on the entertainment unit along with all her other greeting cards.  

For the record mine was her sixth ladybird card.

Ros

'Don't walk in front of me, I may not follow: Don't walk behind me, I may not lead: Walk beside me, and be my friend.' - Albert Camus




Tuesday, 1 April 2014

New Release - Wedge-tailed Eagle

My latest design release is an impressive, but somewhat intimidating, creature merely because of its size, power and features.  Sometimes known as an Eaglehawk, the Wedge-tailed Eagle (named for its distinctive long, diamond-shaped tail) is the Northern Territory's fauna emblem and is found throughout mainland Australia in a natural habitat of woods, forested land and open country.  

As Australia's largest bird of prey, the Wedge-tailed Eagle is often seen perching high on a dead tree, pole or prominent rock or majestically soaring to heights of 1800 metres on a massive and powerful wingspan of 2 to 3 metres hunting or spotting their food source which consists of smaller animals, reptiles, birds and carrion.  With long strong broad wings, fully feathered legs all the way to the feet, keen eyesight and a sharp, formidable beak and claws, their prey simply don't stand a chance when swooped upon.  Interestingly, the female eagle is larger and heavier than the male and builds its nest of dead sticks in the tallest tree or cliff edge in a location with views of its home range and breeding territory.  The Wedge-tailed Eagle is known to sometimes make whistling, yelping and squealing noises.  

My cross stitch design consists of 10 colours and is 89 x 83 mm in size (3.5 x 3.3 inches).  It is another personal favourite and I was very pleased with how I was able to depict the power and strength of the Wedge-tailed Eagle's features and sharpness in its eyes.  Perched very high on a rock in a location where the land below could be vastly surveyed meant the sunset sky backdrop could be used to advantage.

 

I'm sure this design would make an impressive card for any wild bird lover but would look equally as spectacular as a framed item of work.

Ros

'The real voyage of discovery consists not in seeking new landscapes but in having new eyes' - Marcel Proust