Showing posts with label fabrics. Show all posts
Showing posts with label fabrics. Show all posts

Saturday, 26 August 2017

Stitched Headphone Bag

My latest little project has been making a small headphone bag for travelling.  Because it's going to be tucked into luggage and overnight carrier bags it's main criteria was for it to be padded for protection of the headphones but small enough to be compact and not take up any unnecessary space.  My client (daughter) just asked for a 'quick and simple' bag that "uses up some scraps Mum" / "don't go to any trouble Mum / "leave it up to you Mum".  She knows me far too well now that when faced with a stitching or sewing challenge it's a great opportunity to use my creativity.  And this time was no different.  

I had in mind the shape and style and a little bit of 'googling' helped with the design and how to go about assembling the bag particularly since it was going to include a simple padded and quilted lining. 

The fun part was searching for appropriate and complimentary fabrics and notions from my stash and a lovely design to embroider on the front and back of the bag. I opted for a simple backstitch in an 8 ply DMC ecru Cotton Perle and used bright pink sequins attached with french knots. 


A strip of heavy cotton lace was attached to the upper front mid-section and secured with sequins and french knot centres.  Identically sized pieces were cut of the lining fabric and wadding and then simply quilted.  The two front sections were sewn to the pink zip with a slight extension to the end of the zip allowed for the side seams.  Because I didn't want an exposed seam inside the bag, the next bit was a little fiddly.  It involved sewing the quilted lining (right sides together) around the perimeter and then inverting through the zip opening. The outer fabric was then sewn (right sides together) with an opening left to invert which was then neatly slip-stitched.  Because the headphones have a width to them, I also squared off the both bottom corners of the lining and outer fabric before inverting to accommodate this width.  



As the headphone set also included a small adapter I sewed a small elasticised pocket on the lower inside lining for its safe keeping and easy accessability.


As it's the first time I've made something like this, I'm quite proud of my efforts and have learnt a couple of new skills.  Also learnt from some mistakes too....  I hope it does the trick.


Ros

'Continuous effort - not strength or intelligence - is the key to unlocking our potential'. - Sir Winston Churchill

Wednesday, 31 May 2017

'Sew Happy' Quilt

I decided to have a tidy up of my craft room just recently which really just morphed into a clean out session.  This involved going through a lot of my dressmaking fabrics, samples, off-cuts and fat quarters and I came across so many remnants that the creator in me just knew they couldn't be thrown away for fear of it being considered criminal.  So I came up with the idea of making myself a new sewing machine table quilt from these remnants.  The current table cover was an old tablecloth which really had seen better days so between other projects and market preparations, etc. I set about creating a small quilt just for me and just for my creative space.  I figured it would also help hone my quilting skills. The basic criteria though was to use as much of these remnants as possible to free up valuable storage space (for more fabric...yeah I know....go figure that logic) and to create a project that would bring back memories of what the fabrics had once been sewn for.  



The size of the quilt was really based on the amount of fabric I had and to cover the wooden table adequately as the top is old and a little bit chipped but still quite sturdy.  The blocks were based on the railroad design and even though I didn't worry too much about matching colours and patterns for each block I did take into account the overall effect so some fabrics were used in multiple blocks. 




With the short strips that were left over and not stitched into a block I decided to use as a border around the perimeter.  This really helped use up so many small pieces of fabric and once again they were added in no particular order but placed around the blocks to evenly distribute the colours.   



For the backing once again I recycled.  Recently my son updated his room with a new paint job and curtains.  The backing of the old curtains were still perfect so I used one and sewed some larger pieces of remnant fabric on it ... just for the heck of it .... by using the buttonhole stitch on my sewing machine. 

I opted for inexpensive polar fleece for batting and then began the task of quilting all layers together using a diagonal stitch across the whole quilt and then stitching around each block. The effect can easily be seen on the photos below and above.



Binding used up more scrap fabric and then the all important naming of my sewing table quilt - 'Sew Happy' - which to me represented all the years of sewing I've done either making clothes for myself or my children, craft items or quilts and the happiness I've derived from being creative and developing such a sense of achievement.

My Sew Happy quilt is now proudly spread on my sewing table with my sewing machine placed on top and will be a constant reminder of all my past sewing projects.

Ros

'Happiness is a perfume you cannot pour onto others without getting a few drops on yourself' - Ralph Waldo Emerson

Thursday, 8 October 2015

Quilted Case Rules

On a whim a couple of weeks ago I decided to sew a quilted case for my quilting rulers to protect the corners from damage and the possibility of them being accidentally broken or cracked.  It occurred to me that it would be a great way to use up left-over fabric scraps in my stash (of which I have plenty) and a resourceful way to de-clutter.  Cleaning out the pillow-case of scraps brought back wonderful memories of garments that had been made for my daughter when she was very young and even some of my own clothes along with crafts from more recent years so this project really became a collection of memories.  

Firstly I measured a layout of the size and shape that would be needed onto brown paper and then set about blending and sewing the fabrics so the plain and floral colours would be evenly distributed. This was painstakingly done row by row and also in accordance with how much fabric was available for each colour.  The length of each strip in each row was staggered for a brick-like effect.  


But, of course, once the strips were sewn together, the embroiderer in me realised that it could do with a 'bit' of texture and interest here and there which, of course then led to perhaps a 'bit of bling' here and there which then led to filling each plain coloured fabric strip with some form of embroidery and/or beading or sequins.  I'll admit it, I confess ... I was obsessed ... but you see once I had started and could see how beautiful it was looking with just simple embroidery stitches ... alas, I could not stop.


By incorporating simple embroidery stitches of chain, stem, lazy daisy, star, straight, feather, blanket and french knots together with brightly coloured sequins, bugle, seed and pearl beads, it created an incredibly interesting work of art.  Because there was so much bright colour in the fabrics, I decided to only use white stranded cotton and thicker crochet cotton for contrast.  You can see by the above photograph that the edges of the strips were all of a slightly different length but would be neatly cut to the measured size as seen in the photograph below after it had been quilted with contrast fabric and wadding.  I decided to just quilt along the seam of the long strips and not the shorter seams of each strip as I felt this gave enough of an effect without becoming too tedious.


Once this stage had been reached, the blue binding was sewn and slip-stitched into place across the longer top edge before then folding the entire case into shape.


Once this was done blue binding was then sewn and slip stitched into place from the lower folded section through all thickness of front and back, around the overflap and back down the other side.


 A couple of press studs were then hand stitched on the flap and front of the case to ensure the rulers don't move and/or slip out.


This is the back closed view...


and this is the back open view.  After completion, I decided to carefully add a few more sequins on the red section and another backstitched star with seed bead on the black strip as they were on the front flap and 'front and centre' of the project.

I absolutely loved working on this project.  Who would have thought that left-over scraps of fabric, a little imagination and simple embroidery could create something so useful.

Ros

'The difference between try and triumph is just a little umph' - Marvin Phillips


Monday, 27 July 2015

The Finished Quilt

A little while back I posted about a new skill I was learning - quilting and promised to share photos of my finished project.  It is only just now that I realise that I forgot to take photos of the progress of the quilt construction so you will just have to bear with me while I explain the process and use the image below to refer to.  

Once all the blocks had been completed, it was necessary to choose contrasting fabrics for sashings and posts which are placed around each block and used to join these blocks together.  On my quilt you will see I chose the red fabric as a highlight for the posts and purchased a more subtly patterned fabric for the sashings.  After deciding on the placement of each block which required laying out each block and then moving them around to achieve a layout whereby the colours and patterns were evenly distributed, it was then a case of systematically sewing the fabrics together in order of rows and then joining these rows together all the time being careful to match seams and keep everything straight.

After that came the task of cutting the border which involved quite precise measuring because as our teacher explained sometimes the length of the top and bottom and both sides of a finished piece of patchwork can be uneven no matter how careful the seam allowances were sewn.  So it was important to measure in three places (top, bottom and centre for the length and left side, right side and centre for the width) and use the average measurement to cut the lengths of border.  The side borders were sewn to the patchwork first before the top and bottom borders.  It was at this point while we had our fabric and rotary cutter on hand that we cut out strips for binding and were shown how to neatly join these lengths of strips together which was very easy.  This was then put away for use at the end of the project.

The following week we were taught how to lay our backing fabric (which was yet another piece of fabric purchased) face down on the work table, place the cotton wadding over top and then final placement of our 'work of art' on top.  We all worked together on each other's quilt because it was so important that when each layer was placed on top of the other, that it was gently and accurately placed to ensure evenness with no stretching or warping and straightness was maintained.  After securely attaching all three layers to the work table with the most high-tech of devices (bull-dog clips!), we all set to the task of pinning the layers together at close intervals but not on any seams.  Pinning four quilts together took up the entire lesson but it was a most enjoyable time for us all to chat about all sorts of topics.

The following week, we were taught the technique of 'stitching in the ditch' which really is just a quilting term for stitching in the seam allowance on the lower side.  We were also shown the correct way of securing and bringing the bobbin thread to the top of the quilt so the back of the quilt was smooth with no cut off threads and whilst it took us all a little while to master this technique, it was worth it for a beautiful and professional finish.  In order to keep the quilt flat and stable and prevent any possible warping, we were also advised on the order of stiching seams ie. the inside sashing borders first, then the outside before sewing the individual blocks.  All of my blocks were sewn in the ditch to reflect the pattern on the back so I'll admit it was a long process and required patience.  The quilt needed to be rolled carefully around the sewing machine when working in an area which was quite tight, but once I could see it coming together, it was inspiration for me to keep going albeit in stages.

The following and last week of our classes involved squaring and cutting the borders evenly and attaching the binding to the edge.  Our teacher was very implicit with the technique on how to mitre the corners to give a perfectly rounded point and instructed us on a clever technique to join the ends together so the binding appeared seamless and not bulky.  It was then just a matter of folding the binding to the wrong side and handstitching a slip stitch into place to cover the machine stitching and, for me, this was enjoyably done while watching television and listening to the rain or howling wind outside.  


My quilt now has pride of place displayed over a cream upholstered chair in our lounge room and I am so happy with my efforts and the finished effect that I often look and touch it lovingly when no-one is around (sshhh...don't tell anyone).  

I am also proud to say that I have already started my next quilting project which consists of log cabin blocks in very bright colours.  But I'll leave that story for another post.

Ros

'Great works are performed not by strength but by perseverance' - Samuel Johnson

Sunday, 31 May 2015

A New Skill

For some time now I have been wanting to learn to quilt partly because I was keen to expand my skills but more recently I have been so inspired by the absolutely beautiful work that some of the ladies at our monthly Guild stitching afternoons do with hand embroidered blocks which are then included in larger quilts.  So, on good advice by one of the ladies who lives close by I signed myself up to do a beginner's course at our local quilting shop and bought all the necessary equipment ie. a 1/4" foot for the sewing machine, cutting mat, ruler and a rotary cutter.  The owner of the shop kindly helped and guided me with choosing a selection of 6 fabrics and explained how and why a variety of blending and contrasting colours are needed.  So with sewing machine dusted off and a pencil and folder for hand-outs, I prepared for my first lesson.

The first part of the the first class concentrated on the basics such as safe use of the rotary cutter and its use with the ruler, fabric grains, how to straighten, square and cut fabric, pressing tips and the importance of using the 1/4" seam allowance measurement to ensure precise joining when sewing all seams together so they align perfectly.


The block on the left - called simply a 9 piece block - was our very first attempt and as you can see consisted of just small squares to make a large square, but this gave us a good introduction into choice of fabrics and how placement can give totally different effects.  We were also taught the importance of order in which to sew the individual squares and then row by row and that by doing it that way it eliminated any chance of placement mistakes.  The block on the right - called Rail Fence Block - was our 'homework' and whilst it looks complicated consisted of long strips of our chosen fabric sewn, pressed, cut and then placed in criss-cross order and then sewn.  It was very important that the strips aligned perfectly otherwise the effect would've been lost.


The block for Week 2 (on the left) - Churn Dash Block - involved learning the technique of half square triangle pieces, in particular the trick to cutting and sewing on a diagonal so as not to stretch the fabric which would then of course affect perfectly matching the seams of the other squares.  Having learnt that technique our 'homework' was the Sawtooth Star Block (on the right) where two triangles were joined onto the one rectangle piece before sewing onto the other squares.  Fabric choice was important with this block so that a definite 'star' was obvious but just as important was the precision of the points of the star sewn into the seam so there were neither gaps nor overlap.  It's with designs like these that you realise how important correct seam allowance is.


Last week our block - Variable Star - extended to learning 1/4 square triangles and once again carefully choosing fabric to create the effect and whilst looking complicated, it really is just a matter of being organised and concentrating on which pieces should be sewn together and double-checking as you go along to avoid mistakes.  I was rather pleased with myself on this one as it all lined up perfectly first time.

For 'homework' this week we are hand appliqueing shapes onto background fabrics using Vleisofix - which for me will be the most enjoyable of all the blocks as it involves hand embroidery and the use of blanket stitch.  There are 3 other ladies in the class and all of them don't embroider so they needed to buy embroidery needles, thread and shown how to stitch.  Our teacher knew I was an embroiderer, and when she asked me if I was right for supplies I just gave her a 'you've got to be kidding' look and politely told her that I had plenty in my stash to choose from (she had NO idea how many threads are in my threadbox).  Then with a chuckle, she facetiously asked me if I wanted a quick lesson in how to do blanket stitch to which I replied that I thought I'd be alright!! 


Last night I chose fabrics from my dwindling supplies, cut and pressed the shape for applique on background fabric and agonised over which shades of thread to use.  This afternoon and evening I plan to thoroughly and leisurely enjoy my Sunday by stitching and sewing this last block together.  Next week we begin assembling all the blocks and so I'll post at a future stage on the progress of my beginner's quilt.

But for now, please excuse me - I have 'homework' to do.

Ros

'The difference between try and triumph is just a little umph' - Marvin Phillips


Monday, 11 May 2015

Spectacular Gifts

Firstly, let me say I hope every Mum had a wonderful Mother's Day yesterday and thoroughly enjoyed special time with their children and families.  I'd like to thank my husband and son who went above and beyond call of duty to design and build me a mobile trolley for a herb garden for our back deck.  Not only can it can be wheeled in and out of the sun and placed in a protected area during storms and folded up for compactability but has been designed so the plants can be placed on a lower shelf at night and covered with shadecloth to deter pesky possums with a culinary taste for parsley and coriander.  The day was finished with a family dinner shared with my Mum and daughter at our favourite local Chinese restaurant - all in all a lovely day.

A few weeks ago I set to work to make a couple of gifts as my contribution towards the Guild's Mother's Day Craft Fair gift table.  


These spectacle cases were quick and easy to stitch with the added bonus of using fabrics from my stash for the finishing process.  



This floral design used lazy daisy stitches for the flowers, french knots for the centres, satin stitch for the leaves and chain stitch for the heart.



With this design, the effect for the top three hearts were each stitched with two rows of stitching using chain, blanket and stem stitch and the bottom heart using a single row of petal stitch.



For this spectacle case I extended the contemporary design to cover the fold and part of the back and by using just stem stitch in colours complimentary to the fabric achieved an effect which I was very happy with.   

All cases were lightly wadded and bound in self-fabric with a slip-stitch finish and small enough for just reading glasses not larger sunglasses.  Spectacular, wouldn't you say!

Ros

'Creativity is piercing the mundane to find the marvellous' - Bill Moyers

Sunday, 1 September 2013

Totes, Travel and Tears

This post is one of mixed emotions as our daughter and her very good friend departed Brisbane yesterday morning bound for a six week travel holiday to the United States.  Whilst we are so very happy and proud of them to have worked so hard to save money, showed independence by organising their own itinerary and made all the necessary arrangements themselves, I'm sure it's only natural that as a parent it has torn at the heartstrings to wave them goodbye at the airport and watch them head out into the big wide world on the adventure of a lifetime to fulfil a childhood dream.  Let me tell you that I'm not one that's good with airports or goodbye's at the best of times but the goodbye at the airport yesterday was ... well ... difficult.  With my son's comforting arm around me, I can only hope that people who saw me as we walked back to the car park assumed the reason for my tears and then just as I had some degree of control over myself by the time we arrived to pay for parking at the ticket machine, my daughter sent me a beautiful text from her iPhone - which, of course, only set me going again.  I have no idea how I drove home.

However, a 'little' part of me is travelling with our daughter on this journey.  A few years back when she began her travels around parts of Australia, I stitched a sachet bag for her which she always uses now for underwear and/or stockings to prevent them catching or snagging on other items in her luggage.


This design - Flap the Owl - was one in a range of 'funky' cross stitch kits from DMC which was packed from materials for Leutenegger. With the use of bright, block colours, the design stitched up easily and quickly and was then machine sewn onto contrasting fabric (from my stash) and bordered with bright ribbon to match the drawstring.

Because this idea has proved to be such a success, last weekend our daughter asked me if I would make her and her friend a couple of basic shoe bags (based on the same principle).  However, what she didn't expect was the opportunity this request offered to use my imagination to make something both personal and creative and so I set out by making three bags each using hard wearing fabric - drill and calico - from my stash.


The high heel shoe on the yellow bags were edged in button-hole stitch with contrasting coloured ribbon used for the drawstring according to the colour of the thread used and the 'Bon Voyage' bag was hand stitched using back stitch and red, white and blue filament-threading for the U.S.A. stitching.  The other slightly smaller bags featured the girl's names on each using colours to reflect their personalities and then those same colours used to form a posy of flowers with the lazy daisy stitch for the flowers and stem stitch for the stem.  They will use those particular bags for their flat shoes and sandals.  

It goes without saying that this project proved to be a very happy, pleasurable and rewarding one and the girls were simply overjoyed with them.  We wish them safe travels.

Ros

"The world is a book and those who do not travel read only one page" - Augustine of Hippo





Monday, 29 July 2013

A Quilted Gift

Nothing restores your faith in human nature more than the random act of kindness and generosity of strangers and this was clearly evidenced during the past week.  To give you a background, my very dear Dad has been sick for a few years now, but in particular this year has been quite a struggle for him as his health has deteriorated requiring numerous outpatient hospital treatment sessions and more recently three separate hospital stays in the space of four to six weeks. Along this journey, not only has he come into contact with and befriended many wonderful doctors and nursing staff, but allied health workers as well - physiotherapists, dieticians, pharmacists, etc. and on one particular occasion when Dad was receiving a regular treatment, he was paid a visit by a social worker by the name of Lyn.  Both my Mum and I were present when she visited and were impressed by her quiet, caring and unhurried nature.  On Dad's recent in-hospital stay, Lyn paid him another visit arming him with literature on tips for reducing stress including links to useful websites for meditation (all a little lost on a man of my Dad's age with certain attitudes towards such frivolous subjects, I'm afraid!).

So imagine our complete surprise and utter disbelief when, for no particular reason, Lyn presented Dad with a quilt to keep which she had hand stitched herself and carefully folded and neatly stored in another hand sewn carry bag.  On inspection it was clearly obvious that there had been many, many hours of tedious and skillful work spent on neatly stitching this large double-bed size and colourful quilt but to give it to someone who she had only known briefly left us all completely 'gob-smacked' (my Dad's words) and shaking our heads.  



Here is a close-up of  some of the colourful fabrics used in one particular section of the quilt.



However, what is considered quite the personal touch are three or four panels of hand stitched sayings strategically placed throughout the quilt which in itself would have been quite time-consuming.  This one shown here is an example.



Perhaps what was most touching of all though was the accompanying hand-written card stating washing and care instructions on one side and on the other side this heart-warming verse - 'May this quilt wrap you in a big warm hug - God bless".  

This quilted gift will be forever treasured.  Thankyou Lyn for your kindness.

Ros

"Kindness in words creates confidence, kindness in things creates profoundness, kindness in giving creates love" - Lao Tzu